This research project explores the relationship between music, power, and inequality in the contemporary world.
While music is often understood as a form of entertainment or cultural expression, it also functions as a powerful lens through which broader social and political dynamics can be observed. Across different historical and geographical contexts, musical production reflects asymmetries of power, processes of marginalization, and forms of resistance that emerge within and against dominant structures.
Bringing together case studies from Southern Italy, China, and the global music industry, this project investigates how music participates in the construction of cultural hierarchies and how artists negotiate visibility, censorship, and identity. From the symbolic resistance of Cui Jian to the reimagining of the “Global South” in the songs of Eugenio Bennato, and to the structural inequalities revealed by global streaming data, the articles collected here highlight the complex interplay between culture and power.
Rather than offering a single theoretical framework, the project adopts a comparative perspective, emphasizing connections between local experiences and global patterns. In doing so, it aims to contribute to a broader understanding of music not only as an artistic practice, but as a space where historical tensions, political conflicts, and social transformations become audible.
Case Studies
The following articles present selected case studies that explore the relationship between music, power, and inequality across different historical and geographical contexts.
From the Rock Canon to Spotify Listeners: How Musical Relevance Changed between 1989 and 2026
The Moon over the Ruined Castle: The Global Journeys of Kōjō no Tsuki
When Melodies Travel: John Brown’s Body and the Global Circulation of Ideas
Waltzing Matilda: How a Colonial Ballad Became a Global Metaphor
Popular Music Covers in the 1980s: Global Music, Markets and Cultural Asymmetries
Rock Music as Monument or Instrument of Freedom? David Gilmour and Roger Waters as a Case Study
Reggae, Colonialism, and Inequality: From Bob Marley to Top Boy and Bandi
From Partition to Soundtrack: UN Resolution 181 and the Palestinian Voice in Contemporary Music
Europe After Maastricht: Noir Désir and the Crisis of the European Myth
Billy the Kid and the American Imagination: From Aaron Copland to Bob Dylan
Roger Waters, The Wall, and the West’s Short Memory
School, Class, and Power: From Social Selection to the Rhetoric of Meritocracy
El día que me quieras: Tango, Cultural Power, and Global Inequality
Trap, Globalization and Digital Capitalism: From Subculture to Global Lifestyle
Music, Satire and Power in Egypt: The Political Songs of Sheikh Imam
Os Mutantes (1968): Tropicália, Cultural Resistance, and Global Inequality
Rock, Power, and Resistance in China
Who Really Dominates Global Music?
The Sound of Power: Language, Pop Music and Cultural Asymmetry
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